Sophie Taeuber-Arp – A Retrospective at the Tate Modern – Part One

 Sophie Taueber-Arp, Zurich, 1916/17, Unknown photographer. Original in collection of  Stiftung Hans Arp und Sophie Taeuber-Arp.

‘A long overdue recognition of Taeuber-Arp’s pivotal contribution to modern art and design…’ [Tate Modern Website] as with most retrospectives of famous twentieth century female artists the long overdue long overdue retrospective comes years and even decades after the artist has died.

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‘An ‘Un-put-downable’ book – Dear, Mrs Bird by A.J. Pearce.

 

The kitsch red text and bright turquoise background of the cover of Dear, Mrs Bird by A.J. Pearce piqued my interest from my local libraries ‘Recent Reads’ table. * The doubly beautiful end papers of a stylized bird holding an envelope in it’s beak drew me further in to read the first few pages** and instantly I knew that I would love reading this book as it covers several of my favourite historical topics at once; women’s magazines, women’s roles in World War Two and the struggle women faced to get themselves recognized in jobs in the early to mid-twentieth century.

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What’s in my handbag? Fabulous Flappers and 1920s Handbags.

The enduring image of the 1920s t is that of a young, thin, glamourous and often wealthy young woman with bobbed hair, short skirts and red lipstick. Think Clara Bow or Louise Brooks. This glamourous flapper-girl was far from the reality for most women of this period but it didn’t mean that a shop-girl didn’t get her hair bobbed or dream about her next dress. This was the age of growing consumerism and mass-production and the average woman could have a hat, dress or hand-bag just like Louise Brooks. Let’s take a look at what would be in this woman’s hand-bag in the 1920s! A sort of 21st century social media ‘What’s in my bag?’ post but with a 1920s twist!

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Twitter and Instagram: Historians in the Digital Age

Twitter, Instagram, Facebook, Pinterest etc. ever thought of these digital social media platforms as a method of research or public engagement as an historian or museum professional? More and more people in 2019 have social media profiles that highlight their work to a wider, often global audience in a way that people twenty years ago could only dream off. I have and do use Twitter (and soon Instagram) daily to interact with historians across the world and to catch-up on the latest historical research and news whilst also promoting myself as an historian, blogger and curator.

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Saturday Supplement

A quick round-up of exciting exhibitions, cultural happenings, books and articles I’ve read, amazing food that I’ve eaten and everything else cultural, museums, history and heritage!

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